“In a medium notorious for shots and beauty-passes that go on for way too long in order to amortise the costs of set construction, Hori’s camerawork is brisk and choppy, never outstaying his welcome in any particular scene, deftly creating the illusion that he is snatching his footage on the fly, not painstakingly building it one frame at a time, paltry seconds of motion taking hours to create.”

Over at All the Anime, I watch Takahide Hori’s stop-motion future feature Junk Head.