Workshy navvies Lapatossu (Aku Korhonen) and Vinski (Kaarlo Kartio) are fired from their jobs working on the new railroad. They are soon hired by local industrialist Mr Saro (Antero Suonio), who mistakenly believes that they are skilled sportsmen, and needs ringers in the company team to help win a bet with a rival company, run by the dastardly Karhi (Jorma Nortimo, the studio’s go-to dastard). There’s more than cash at stake, as Saro has rashly promised the hand of his daughter Raili (Laila Rihte) to another sportsman on the company team, much to the annoyance of Raili herself, who fancies Aarne (Unto Salminen), a cashier wrongfully accused of embezzling company funds.
Yrjö Norta’s film for Suomen Filmiteollisuus checks out after a mere 55 minutes, which probably helps. The presence of Lapatossu and Vinski, refugees from the earlier Lapatossu (1937), is rather superfluous, since they serve merely as comedy monkey-wrenchers who help to rig the various events at the athletics meet. It’s almost as if they were shoe-horned into an entirely different script, which could have easily gone on without them, although if it had, it would have been one of the usual unfunny Finnish comedies.
Karhi’s corporation is entertainingly festooned with crumpet. There is a typing pool right outside his office that is packed with perky Finnish girls, but for some reason he has set his sights on the rather dreary Raili Saro. A little comic relief is offered by Kaarlo Angerkoski in a ridiculous stunt moustache, who steals every scene he’s in as the unnamed secret policeman from “Eyes and Ears”, a private investigation company that suspects everybody and everything. In a lovely bit of unscripted comedy business, played entirely in mime, he pulls a long hair off Mr Saro’s jacket while talking to him, and gives him a suspicious side-eye.
The official English title of this film is Lapatossu and Vinski at the Olympics, which I regard as a step too far – the Finnish title makes no attempt to place them at the actual games, which would have been hard anyway, since the onset of the Winter War in September 1939 meant that Helsinki’s shot at the Olympics was postponed. This film, like Towards a New Horizon in the same year, was commissioned to capitalise on the forthcoming sporting event, but completed mere weeks before it was rendered irrelevant by world politics. How fortunate, then, that the original Finnish title referred only to Olympic fever, making it just about possible to get away with releasing it anyway, and turning the pound-shop Laurel & Hardy schtick of Aku Korhonen and Kaarlo Kartio into wartime box-office gold.
Shot in the sunny summer of 1939, and with a closing act almost entirely outdoors in a sports field, Lapatossu & Vinski in Olympic Fever channels a number of cartoonish Warner Bros moments, not the least when Lapatossu pours a handful of ants down Karhi’s shirt to distract him in the 400 metres race. Vinski inadvertently wins the marathon by falling asleep in the back of a cart, and as a reward for their shenanigans, the two layabouts win a car. They drive off into the sunset, bragging about how easy the summer has been, pursued by an angry widow that Vinski has somehow duped.
Jonathan Clements is the author of An Armchair Traveller’s History of Finland.
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