Season five of National Geographic’s Route Awakening begins its broadcast run in China on 23rd August. Other territories to follow soon. But for viewers in China, this will be your chance to see me delving into sacrificial rituals at the Wastes of Yin; oracle bone scripts and divination in the Shang dynasty; the violent art of the Dian kingdom; Nanjing in the middle ages; the golden treasures of a deposed emperor; the immense cathedral-like complex built around a relic of Buddha’s skull; burial customs of the lost Yelang kingdom, and the shipyards of Admiral Zheng He.
After six weeks of shooting and over 1,500 miles of driving, I’m on my way home having wrapped on season five of Route Awakening for National Geographic, taking in two lost kingdoms, a forgotten emperor, several sets of grave robbers, and your correspondent trying to learn the steps to the World-Creating Dance of Kaishan, Divider of Mountains. Yes, I was working on Christmas Day. That’s the way I like it. Look out for more details on the topics of season five coming in spring 2019. Also coming in the New Year, my latest book: A Brief History of China from Tuttle Publishing, which begins with cavemen and ends with reality television.
Season three of National Geographic’s Route Awakening, in which I wander some of the ethnic minority communities of modern China, has just snagged the Gold Remi award at the Houston International Film Festival for “TV: Information, Cultural or Historical.” You can see the trailer here. Seasons one and two won the same award in 2016 and 2017.
Me getting pelted with mud in Tang-an village. All part of the service on Route Awakening. (trailer here).
Season three of Route Awakening is now airing in China, with some thirty or so other countries fast behind it. You can see the trailer here for glimpses of me getting attacked by Kam tribesmen in fancy dress in a muddy pond, witnessing the shamanic rituals of the Gorlos Mongols, and sundry other explorations among China’s ethnic minority groups. The picture above is my favourite from the shoot, taken by Mack Zhang, our fixer, of me and Daniel the director of photography, interviewing the village “Ghost Master” in Tang-an, Guizhou.