Over at All the Anime, I write up the path to the screen of Kenji Miyazawa:
“It is difficult to overstate the impact of the author Kenji Miyazawa (1896-1933) on Japanese literature, and anime. He was still in his thirties when he died, a largely unknown poet living in provincial obscurity, and only really read outside local newspapers after the publication of a Complete Works a decade later. In the post-war period, which saw most of the Japanese school curriculum bleached and purged of any authors with wartime associations, Miyazawa’s gentle, pastoral tales, suffused with Buddhist imagery, swiftly took root, becoming the set books of an entire generation of schoolchildren.”
“Characters… wear augmented-reality contact lenses, not to enhance their perspective but to deaden it against an onslaught of advertising and distractions. Fujii took this idea to a new level with Hello World (2018), in which hackers develop an ad blocker that can filter out government propaganda. This, in turn, proves to have revelatory and revolutionary implications in several foreign states, where the removal of fake news, spam and subliminal advertising creates conceptual breakthrough of immense consequence.”
Over at the Encyclopedia of Science Fiction, I contribute an entry on the Japanese author Taiyo Fujii.
Over at the Encyclopedia of Science Fiction, I write up the remarkable authorial career of Hiroshi Yamamoto, who started out as an elf-girl called Deedlit.
“In any other country’s sf community, an author like Yamamoto might have been the darling of the convention circuit for decades, and a regular sight at awards ceremonies. But in Japan, where his prolixity and varied output is notable but unremarkable, Yamamoto had to wait until Kyōnen wa Ii-nen ni Naru Darō [“Last Year Should be a Good Year”] (2010) to receive a Seiun Award for long-form fiction. Intimately involved in the post-911 zeitgeist, it imagines a world, but more pointedly an America, invaded by androids from the 24th century, determined to stop contemporary conflicts and terrorism as part of an operation in a much wider-ranging Changewar, the precise aims and consequences of which are hidden from inhabitants of the present day.”
I once lived in Kyoto. It was a magical time of my life, wandering temples and wooden-shuttered backstreets, side-eyeing geisha at the bus stop – the town that had been Japan’s capital for a thousand years, simmering in the summer heat. My history tutor told me to ring the doorbell of a fearsome, fortress-like building, and to announce to the occupant that I was his deshi. This simple watchword unlocked the bolts, and an antique dealer, feared by the locals, welcomed me with open arms and showed me prints of the war with Russia from a hundred years before. “I remember your teacher when he was your age,” he said. “Like it was yesterday.” But it wasn’t yesterday; it had been twenty years. I went to a barber and sipped gingerly at tea that tasted of fish, while a man who seemed to think it was still 1951 asked me if I wanted a “G.I.” haircut.
Sometimes I forgot what year it was myself. I felt that was how the whole town got along. There was a children’s playground next to a mount called Mimizuka, the “Hill of Ears”. But the name was a lie; it was full of noses, hacked off Korean soldiers during the samurai invasion that closed the 16th century. Every day I would walk across the bridge at Gojo, where my hero Yoshitsune had legendarily fought the monk Benkei. I bought manga and rock CDs next to a little temple, where Oda Nobunaga had made his last stand. I ate noodles near the spot where Yasuke, the black samurai, had overwhelmed his traitorous enemies. Of course, I was going to be a historian, so that others could see what I could see.
In a tea-house, a girl all in grey with shining eyes told me that we had been married once before, in “a smoky room”. The next day, she shaved her head and became a Buddhist nun.
Nobody ever stole my pants from me in a dark alley, though.