I feature in two podcasts up recently on AlltheAnime. One is the pre-Scotland Loves Anime interview, in which I talk about the politics of hosting Japanese guests, and libel a bunch of industry figures while discussing their peccadilloes. Then, a week later, I appear at the jury chairman in the big jury hoedown, when festival judges Amelia Cook, Rayna Denison and Elliot Page discuss the four films in competition.
Over at All the Anime on their monthly podcast, I appear in my role as jury chairman on the awards committee for Scotland Loves Anime, in discussion with members of this year’s panel: Eric Beckman from Gkids and the New York International Children’s Film Festival, Anna Francis from the distributor National Amusements, and Miles Thomas from Crunchyroll. The fourth and final juror, Shelley Page from DreamWorks, was off climbing a hill in Edinburgh.
Discussion includes the four films under consideration: Kingsglaive, Momotaro — Sacred Sailors, A Silent Voice and Your Name, alongside the likely damage that Mods can cause to international sales, the rise and rise of Makoto Shinkai and the tropes of “disability” drama.
Listeners with an interest in what goes on behind the scenes at film festivals can also check out podcasts from earlier years. Highlights include Justin Sevakis and a NSFW digression on hentai in 2015, Gemma Cox on writing about women in anime in 2014, and Hugh David on film and video restoration in 2013.
I appear in my role as the Scotland Loves Anime jury chairman in this month’s All the Anime Podcast, in which we discuss the four features in competition: Miss Hokusai, The Case of Hana & Alice, Expelled from Paradise and Empire of Corpses. For anyone interested in the kind of dialogue that goes on behind the scenes at a film festival, it should be quite illuminating.
Since Anime News Network’s Justin Sevakis was one of this year’s judges, talk then turns to his career behind the scenes in US anime distribution, most notably the hellish life of a hentai trailer maker, with reference to the notorious Night Shift Nurses (pictured). As a result, this podcast is most definitely Not Suitable For Work, unless you work at at anime company — trigger warnings for necrophilia, scatology and incest, and that’s just the guests, everything from the Golden Partridge to the Golden Shower.
Up now on the All the Anime blog, my article on Shunji Iwai’s rotoscoped movie The Case of Hana & Alice, winner of the Audience Award at Scotland Loves Anime.
Packing my suitcase for this year’s Scotland Loves Anime, which begins on Friday in Glasgow. Keiichi Hara is in town to introduce the UK premiere of his Miss Hokusai, while I shall be fronting the UK premiere of Ryotaro Makihara’s Empire of Corpses, the steampunk epic based on the novel by Project Itoh and Toh Enjoe. I’m also looking forward to Production I.G’s latest Ghost in the Shell (another UK premiere) and the studio’s own self-inflicted competition over the same genre ground in Psycho-Pass: The Movie (which is, in case you hadn’t guessed, a UK premiere).
Behind the scenes, I shall be speaking about the state of the anime industry, both at the Edinburgh Education Day and in a pop-up lecture in Nottingham next Monday. I shall also be chairing the jury in Edinburgh as four opinion-formers argue over the conferral of this year’s
Golden Partridge Judges’ Award. Shunji Iwai has a film in competition, and almost everybody is liable to be distracted by the Attack on Titan quadruple-bill (two anime movies and two live-action), but I’ll make sure the jury is in the right place at the right time.
On my way to Glasgow today for my annual film festival obligations. I’m up on the Scotland Loves Anime blog with a piece about being the jury chairman, and a rundown of the films in competition for this year’s
Golden Partridge award. Meanwhile, festival director Andrew Partridge and I are interviewed on the Daily Record website about the festival, and I talk solo to TV Bomb.
Hello, Ian. Hello, Stuart. I’m addressing you by name because you are the only people who have shown up. So my introduction to today’s screening of Patema Inverted doesn’t really require a microphone. I’ve flown up here from London. Andrew Partridge there has driven me for one hour from Glasgow to Perth, and then we sat on the train for two hours to Inverness. So that’s the two of us, and Kevin the projectionist, and the usher lady and She That Sells the Popcorn, all here for your benefit this sunny Sunday.
Since the British Film Institute is forking out a bucket of Lottery money per venue for this tour of the regions, you’re basically each the recipient of a Garden of Sinners DVD’s worth of subsidies. But that’s what Lottery money is for – taking risks with odd and niche-interest films, in search of unexpected spikes of interest and swells in consumer behaviour in a dozen places that would otherwise not see any anime at all. Yesterday we were in Bo’ness, a picturesque Scottish village decorated with ominous signs about how “Summer is Coming” and “Hail to Our Queen,” as if the locals were already erecting a Wicker Man to greet us. But 30 people showed up to see the film, and many were keen to ask questions about the Kickstarter for the DVD or the movies on show at this year’s Scotland Loves Anime.
The definition of success for mini-tours such as this is an order of magnitude away from packed London Film Festival screenings, and buckets of money. If profit were the sole motive, anime would never reach cinemas like this at all. It’s far more arty and bespoke, like M. Night Shyamalan’s plea in Lady in the Water that a work of art only has to have a single person love it for it to become worthwhile. Maybe we turned you into anime fans today. Maybe we turned you into festival-goers or Kickstarter angels, or NEO subscribers. Maybe we just carried on the conversation, putting Patema back into the public eye, and hence promoting it to people who hadn’t heard of it. Whatever the result, we keep doing this, because this is how you grow a market for anime, one person at a time… until they tell their friends.
(Scotland Loves Anime would like to point out that after Jonathan’s introduction in Inverness, the audience in the auditorium quadrupled in size, quadrupled! To nine people, including three Hungarians.)
Jonathan Clements is the author of Anime: A History. This article first appeared in NEO 126, 2014.