The Dublin City Gallery, the Hugh Lane, plays host on Sundays to free concerts and recitals, and 9th June sees the Triocca ensemble’s triple whammy of Bax’s “Elegiac Trio”, Ravel’s “Tombeur de Couperin” and the world premiere of John Buckley‘s “To Lands Beyond Time”, six short movements inspired by Japanese poetry, specifically that to be found in my collection of translations Moon in the Pines (a.k.a. Zen Haiku). Good luck Ríona (flute), Nancy (viola) and Geraldine (harp).
I’m off to Dublin this weekend for the Japanese Film Festival at the Light House Cinema, which will be showing the first two Berserk movies, Kenji Kamiyama’s 009 RE: Cyborg, Goro Miyazaki’s From Up on Poppy Hill, the game-based Ace Attorney and the manga-based Thermae Romae, among many others. I shall be introducing a few of the films and interviewing Anime Ltd’s Andrew Partridge onstage after the 009 screening.
Back now from Dublin, where I’ve been at the Irish Film Institute Anime Weekend. Festivities kicked off for me before I was even off the plane, when my neighbour turned out to be a man from Ghana who wanted to know about intellectual property rights. On Saturday morning, I taught a workshop on the way that anime are constructed, with special reference to the Introduction to Anime Screenwriting by Jinzo Toriumi. This is just one of several books by old-school anime writers that are used to teach the next generation in Japan how it all works — they make for very illuminating discussions with an audience of marketers, curators and students curious about what makes anime tick.
The rest of the weekend was taken up with screenings, including the European premiere of Gundam Unicorn, and the Irish premieres of Summer Wars and Evangelion 2.0. I found myself on panels talking about, among other things, the career of Yusaku Matsuda, the uses of a naginata, the corporate structure of the Yomiuri Group, and the history of “breast dynamics” at Studio Gainax. And I found myself signing copies of the Anime Encyclopedia, Schoolgirl Milky Crisis, and even Beijing: The Biography of a City. In a very 21st century touch, I also got to sit in the bar and watch the Manga UK Twitter feed as Jerome Mazandarani explored Tokyo for the first time. Me in an Irish bar, reading live about the adventures of an Australian man on a Japanese toilet.
Meanwhile, Dublin was full of people who had come to watch rugby, which is apparently one of those mainstream situations where cosplay is considered acceptable, so although a number of anime fans had dressed up as cartoon characters, if I walked out of the cinema, I would find a street full of men in kilts and/or painted blue, to the extent that Temple Bar often looked like a low-budget sequel to Avatar.