Mamare Touno

Over at the Encyclopedia of Science Fiction, I write up the author Mamare Touno, whose work is catnip to any reader who enjoys watching attractive redheads enact policies of social reform.

Maōyū… begins where most stories end with the confrontation of a human hero and a demon overlord at the culmination of a fifteen-year war. The characters, however, recognize that they have more in common than a simplified account of their conflict might allow, and join forces in to remove the inequalities that led their peoples to fight in the first place.”

Glasgow Loves Anime

Here in Glasgow for the first leg of Scotland Loves Anime, which kicked off for me last night by talking myself hoarse at the Hogwarts-like university, detailing some of the gossip and scandal from the Japanese fantasy scene. For those who were there and interested in following up some of the strands discussed, I spoke about some of the machinations at Studio Ghibli, the very different careers of Motoko Arai and Hiroshi Yamamoto, the uses and abuses of the work of Kenji Miyazawa, as well as the Persian diversion of Yoshiki Tanaka, the Martian sidequels of Hitoshi Yoshioka, and Tomihiko Morimi‘s love of Kyoto.

Thank you to Rob Maslen of the School of Critical Studies for inviting me along, and for all those students who laughed along with me at some of the misfortunes of Japanese authors, particularly as regarding discovering that all their characters had been turned into cats. And for those of you in the audience who wanted to look at my doctoral thesis, you can read it here.

Kugane Maruyama

Over at the Encyclopedia of Science Fiction, I write up Kugane Maruyama, creator of the Overlord series, which “…artfully captures the mindset of the generation raised on Massively Multiplayer Online Role Playing Games, not merely in its distraction from the everyday, preoccupied with dramatic events in unseen online worlds, but the risks and hazards to an individual’s moral compass presented by the prospect of power and riches in a realm seemingly devoid of consequences.”

Human Lost

Over at All the Anime, I write up Fuminori Kizaki’s Human Lost, a distaff sci-fi adaptation of Osamu Dazai’s No Longer Human.

“The year… is ‘Showa 111’ – playfully extending Emperor Hirohito’s imperial era as far as the year 2036. But does this mean that this anime takes place in a world where the Showa Emperor has been ruling for 111 years? Is Hirohito still on the Chrysanthemum Throne, a wizened, cyber-emperor in his thirteenth decade, sustained by dark technologies and underhand upgrades?”

Birthday Wonderland

“The story is famous, not only for its critical acclaim and awards nods, but because it was considered by Hayao Miyazaki as his next movie project in 1998. When Miyazaki put the idea aside and went on to make the thematically similar Spirited Away instead, Kashiwaba’s illustrator Kozaburo Takekawa publicly accused the Studio Ghibli director of plagiarism.” Ahead of Birthday Wonderland’s UK premiere next month at Scotland Loves Anime, I write it up for All the Anime.

The Trouble with Budori Gusuco

Over at All the Anime, I write up the path to the screen of Kenji Miyazawa:

“It is difficult to overstate the impact of the author Kenji Miyazawa (1896-1933) on Japanese literature, and anime. He was still in his thirties when he died, a largely unknown poet living in provincial obscurity, and only really read outside local newspapers after the publication of a Complete Works a decade later. In the post-war period, which saw most of the Japanese school curriculum bleached and purged of any authors with wartime associations, Miyazawa’s gentle, pastoral tales, suffused with Buddhist imagery, swiftly took root, becoming the set books of an entire generation of schoolchildren.”

Taiyo Fujii

“Characters… wear augmented-reality contact lenses, not to enhance their perspective but to deaden it against an onslaught of advertising and distractions. Fujii took this idea to a new level with Hello World (2018), in which hackers develop an ad blocker that can filter out government propaganda. This, in turn, proves to have revelatory and revolutionary implications in several foreign states, where the removal of fake news, spam and subliminal advertising creates conceptual breakthrough of immense consequence.”

Over at the Encyclopedia of Science Fiction, I contribute an entry on the Japanese author Taiyo Fujii.

Hiroshi Yamamoto

Over at the Encyclopedia of Science Fiction, I write up the remarkable authorial career of Hiroshi Yamamoto, who started out as an elf-girl called Deedlit.

“In any other country’s sf community, an author like Yamamoto might have been the darling of the convention circuit for decades, and a regular sight at awards ceremonies. But in Japan, where his prolixity and varied output is notable but unremarkable, Yamamoto had to wait until Kyōnen wa Ii-nen ni Naru Darō [“Last Year Should be a Good Year”] (2010) to receive a Seiun Award for long-form fiction. Intimately involved in the post-911 zeitgeist, it imagines a world, but more pointedly an America, invaded by androids from the 24th century, determined to stop contemporary conflicts and terrorism as part of an operation in a much wider-ranging Changewar, the precise aims and consequences of which are hidden from inhabitants of the present day.”

The Night is Short…

I once lived in Kyoto. It was a magical time of my life, wandering temples and wooden-shuttered backstreets, side-eyeing geisha at the bus stop – the town that had been Japan’s capital for a thousand years, simmering in the summer heat. My history tutor told me to ring the doorbell of a fearsome, fortress-like building, and to announce to the occupant that I was his deshi. This simple watchword unlocked the bolts, and an antique dealer, feared by the locals, welcomed me with open arms and showed me prints of the war with Russia from a hundred years before. “I remember your teacher when he was your age,” he said. “Like it was yesterday.” But it wasn’t yesterday; it had been twenty years. I went to a barber and sipped gingerly at tea that tasted of fish, while a man who seemed to think it was still 1951 asked me if I wanted a “G.I.” haircut.

Sometimes I forgot what year it was myself. I felt that was how the whole town got along. There was a children’s playground next to a mount called Mimizuka, the “Hill of Ears”. But the name was a lie; it was full of noses, hacked off Korean soldiers during the samurai invasion that closed the 16th century. Every day I would walk across the bridge at Gojo, where my hero Yoshitsune had legendarily fought the monk Benkei. I bought manga and rock CDs next to a little temple, where Oda Nobunaga had made his last stand. I ate noodles near the spot where Yasuke, the black samurai, had overwhelmed his traitorous enemies. Of course, I was going to be a historian, so that others could see what I could see.

In a tea-house, a girl all in grey with shining eyes told me that we had been married once before, in “a smoky room”. The next day, she shaved her head and became a Buddhist nun.

Nobody ever stole my pants from me in a dark alley, though.