Over in Hawaii, I’m interviewed by Tony Vega for the Japan Station podcast about the incredible story of Japan’s first animated feature, Momotaro, Sacred Sailors (1943).
“In this episode we discuss the origins of Japanese animation and its fascinating history. We particularly focus on the making of Japan’s first feature-length animated film: Momotaro: Sacred Sailors (桃太郎 海の神兵, Momotarō: Umi no Shinpei). Clements talks about how this World War II era Navy funded propaganda film got made, the challenges faced by the film’s director Seo Mitsuyo, the influence of Western animation like Popeye and the 1941 Disney film Fantasia,and what people today can gain by watching this sometimes strange and often unsettling work.”
I feature in two podcasts up recently on AlltheAnime. One is the pre-Scotland Loves Anime interview, in which I talk about the politics of hosting Japanese guests, and libel a bunch of industry figures while discussing their peccadilloes. Then, a week later, I appear at the jury chairman in the big jury hoedown, when festival judges Amelia Cook, Rayna Denison and Elliot Page discuss the four films in competition.
“Jonathan Clements, author of Anime: A History, provides Mike with some much-needed background on Japanese animation while co-hosts El Goro and Chris Cummins describe their love of Otomo’s groundbreaking film.” I feature on the acclaimed Projection Booth podcast, as the team tackle anime.
Over at All the Anime on their monthly podcast, I appear in my role as jury chairman on the awards committee for Scotland Loves Anime, in discussion with members of this year’s panel: Eric Beckman from Gkids and the New York International Children’s Film Festival, Anna Francis from the distributor National Amusements, and Miles Thomas from Crunchyroll. The fourth and final juror, Shelley Page from DreamWorks, was off climbing a hill in Edinburgh.
Discussion includes the four films under consideration: Kingsglaive, Momotaro — Sacred Sailors, A Silent Voice and Your Name, alongside the likely damage that Mods can cause to international sales, the rise and rise of Makoto Shinkai and the tropes of “disability” drama.
Listeners with an interest in what goes on behind the scenes at film festivals can also check out podcasts from earlier years. Highlights include Justin Sevakis and a NSFW digression on hentai in 2015, Gemma Cox on writing about women in anime in 2014, and Hugh David on film and video restoration in 2013.
It’s been seven years since the publicity junkets for Schoolgirl Milky Crisis, the book that led to this blog being started in the first place. And over on Youtube, Nozomi Entertainment have posted up their podcast interview with me from spring 2009, in which we discuss everything from the demographics of fandom to the problem of getting Chinese waiters to do backing vocals on “Help Me Rhonda”.
I appear in my role as the Scotland Loves Anime jury chairman in this month’s All the Anime Podcast, in which we discuss the four features in competition: Miss Hokusai, The Case of Hana & Alice, Expelled from Paradise and Empire of Corpses. For anyone interested in the kind of dialogue that goes on behind the scenes at a film festival, it should be quite illuminating.
Since Anime News Network’s Justin Sevakis was one of this year’s judges, talk then turns to his career behind the scenes in US anime distribution, most notably the hellish life of a hentai trailer maker, with reference to the notorious Night Shift Nurses (pictured). As a result, this podcast is most definitely Not Suitable For Work, unless you work at at anime company — trigger warnings for necrophilia, scatology and incest, and that’s just the guests, everything from the Golden Partridge to the Golden Shower.
“Helen McCarthy, in a hat, outrunning a giant boulder made of porn.” I finally unlock the achievement of being interviewed on an Anime News Network podcast, about the world of the Anime Encyclopedia, the misery of Dog & Scissors, and other excitements, in a feature-length rant with my co-author about the state of the industry and the unkindnesses of readers.