Over at the All the Anime blog, I write an introduction to the wartime propaganda movie Momotaro, Sacred Sailors (i.e. Momotaro’s Divine Sea Warriors), which is receiving its belated UK premiere at Scotland Loves Anime next month.
“Japan’s first animated feature was a masterpiece of propaganda film-making, uncompromising in the bile it directed at the enemy, romantic in its evocation of home and hearth and of imperial Japan’s Pan-Asian aspirations, and still unsettling today in its depiction of the mindset of the Japanese military. Its survival to reach modern audiences is itself an adventure story in which it somehow evades bombing raids, burial, shredding and bonfires, emerging from hiding after almost 40 years to offer modern audiences a horrifying glimpse of a very different world.”
WW2 has become a stripped-down fable of Star Wars proportions – a few brave heroes, taking on a force of terrifying evil against impossible odds. On the Good Side, the rag-tag hard-pressed Alliance. On the Bad Side, the dark empire, with its storm troopers and its nice uniforms. The good guys win, and the good guys are us.
Today I am in Switzerland, at the Locarno Film Festival, which has dedicated an entire strand of programming to Japanese animation. Specifically I am going to be talking onstage with film archivist Akira Tochigi about a subject close to my heart – the modern renaissance in pre-war anime and the problems of restoring old cartoons. Continue reading →