Rooms with a View

gft_ext1There are pictures on the wall of the Glasgow Film Theatre that show it in its heyday. Bit by bit, it’s got a little more cramped. Where there was once a sweeping Deco foyer with plenty of space overhead, a false ceiling has been shoved in to make way for a bar. And now the little café on the ground floor has been gutted to make way for Screen Three.

Digital filmmaking has created an environment where less theatre-goers have to choose between more films. Where shipping a film print to a destination once involved a stack of reels the size of the average drum kit, you can now Fedex a humble hard-drive containing the main attraction. Projection rooms are getting smaller, but so is the average audience size for the ever-increasing archive of content.

Modern cinema design hence favours increasingly smaller theatres like Glasgow’s upcoming Screen Three, allowing smaller groups of fifty or sixty punters to huddle into a space that increasingly resembles someone’s living room.

I spend a lot of my time in such bespoke mini-theatres. In Soho’s movieland they call them screening rooms, because that’s what they are. And for distributors, exhibitors and reviewers, it’s perfectly fine to relax in a plush chair with a posh sound system to assess next month’s movies for review or consideration. What they miss out on, however, is that vulnerable, ineffable sense of community that one gets from being an audience member, in a crowd, in a truly big cinema. I still cherish memories of The Empire Strikes Back, Schindler’s List and Jurassic Park at the vast Empire in Leicester Square. Last October’s Scotland Loves Anime jammed hundreds of fans cheek-to-cheek to laugh and cry and gasp at a roster of films from the apocalyptic Evangelion 3.0 to the intricate Garden of Words. Do audiences miss out on something if they see such epics on a mere laptop? What about if the screen is only marginally larger than your rich mate’s telly? After all, if a giant robot is supposed to be forty feet tall, doesn’t it help the whole movie-going experience if it actually is?

Jonathan Clements is the author of Anime: A History, out now from the British Film Insititute. This article first appeared in NEO # 118, 2013.

Barefoot and Ignorant

barefoot-genAnd we’re off to Matsue, an unassuming little city in Japan, where the local school board has responded to a suspicious “complaint”, and removed Keiji Nakazawa’s award-winning manga Barefoot Gen from its school libraries. This apparently, is for fear that “children would get the wrong perception about history” from reading a wartime story in which soldiers of the Imperial Japanese Army are shown to be committing atrocities in China.

Wait… what?  Isn’t that precisely what the Imperial Japanese Army was doing? Isn’t that precisely the context which led, ultimately, to the tragic, murderous mission of the Enola Gay in 1945? Now children in Matsue will be able to get the “right” idea about history, which apparently involves no mention of Nanjing, Manchuria or Shanghai, and a mendacious, facetious sense of victimhood based on the notion that the Japanese minded their own business until 1945, when American bombers suddenly appeared unbidden in a surprise attack and bombed them back to the Stone Age.

But not every Japanese high school is beholden to the whims of revisionist, right-wing nutters. Caught out by the media stink, the Matsue school board hastily backpedalled in late August, revoking the order due to “procedural” issues. Close by in Hiroshima, the home town of manga creator Keiji Nakazawa and the site of much of Barefoot Gen’s heart-rending drama, the harrowing manga is actually a set book for third-years at elementary schools. This is actually a far braver decision than Matsue’s craven censorship, because one would expect Hiroshima of all places to have a free pass on hating nuclear weapons. I’m sure nobody would have been much surprised if Hiroshima schools had plumped for a more victim-oriented version of their local history, but instead, they have admirably chosen a book that spends much of its first volume depicting the Japanese at war with themselves, daring to suggest that intellectual, sensible Japanese were railroaded and oppressed by war-mongering bullies who led their nation to ruin. Unfortunately, in Matsue at least, they still seem to be.

Matsue is twinned with Dublin. Any Irish readers might want to bring this up with their Lord Mayor, in the hope that the next civic goodwill trip leads to some stern questioning about what the school board thinks “history” is.

Jonathan Clements is the author of Anime: A History, available now from the British Film Institute. This article first appeared in NEO #116, 2013.

Sir Run Run Shaw (1907-2014)

run-run-shawMy obituary of Sir Run Run Shaw, producer of Blade Runner, former vice-president of the Hong Kong Girl Guides, and lover of fine Chinese shirts, is up now on the Manga UK blog. Owing to family connections, I have spent an awful lot of time watching people from Shaolin punch each other, and he is at least partly responsible.

What the FAQs Say

It’s “Beadlemania” in Manga UK’s 22nd podcast

podcastJeremy Graves is joined by Jerome Mazandarani, Andrew Hewson and Jonathan Clements for a run-down of what’s coming up and what’s going on, available to download now. Contains the phrases: “engine of Japanese oppression,” “invaded by bots,” “secret file from the chamber of balrogs” and “where do you think all the cocaine’s been hidden?”

00:00 The song that ruined Christmas.

01:30 Introductions all round, which turn out to be largely wrong.

03:50 Jerome paints a Yuletide picture, using only words.

04:20 Bad marketing ideas from Gatwick Express.

05:00 Round-up of the December releases. Jude Law, not appearing in anime near you any time, ever.

07:00 Confessions of slippage. Rounding off the year with Wolf Children. Check out the unboxing video.

09:00 The traditional Andrew Partridge baiting session, and tales of his odd fetish for ice cream. Other odd things you can buy in a Japanese convenience stores. The world’s greatest segue, ruined by everyone else.

11.00 Evangelion 3.0, coming in March. Controversy arising over The Wind Rises, Miyazaki’s best- and worst-reviewed film ever. Chinese reactions to Studio Ghibli, as demonstrated in Lifeweek magazine.

17:30 Looking back on 2013 – highlights including moustaches, conventions and stuff. The prospects for Attack on Titan, convention disasters, and the high road to Scotland.

29:00 “A Buddhist purple cat that never does anything and then dies.” Comments on judging films, with time out to discuss coalition politics and the Evening Standard awards.

34:45 The Kuroko basketball threats, and other scams and scandals arising in the Japanese media.

36:00 The perils of licensing sports anime. Hidden synergies in Summer Wars.

39:00 The nature of female fandom, and its long-overlooked presence in the history of anime (as noted by Paul Dini).

42:00 The Hell of Heidi: “We’ve created perfection, you morons!”

44:00 Jerome takes on Ofcom, and explains where all the pornography is hidden.

46:50 Godzilla, and re-enacting it in your living room.

49:20 Ask Manga UK. What pre-2000 anime do you think deserves an HD redo?

50:50 Giving credit where credit is due. Steve Kyte unmentioned on Firestorm, and Spike Lee’s response to an offended artist on Oldboy.

57:00 Which releases have surprised you in terms of 2013 sales?

59:00 Possible title issues with Tiger and Bunny.

59:30 Watching Manga UK releases on iTunes.

61:45 What effect will disintermediation have on your business model? Predictions for anime becoming a closed circle of consumption, less visible to the public.

67:50 The possibility of Jormungand appealing to al Qaeda.

70:00 Jerome explains content-driven marketing.

72:00 The legal tangle of the Macross licence.

75:00 Has there been an increase in Blu-ray sales this year? It is now cheaper to release stuff on Blu-ray than DVD! Who would have thought it?

models

78:30 The chances of a Manga UK modelling agency.

80:30 What’s coming up on Blu-ray in 2014.

81:30 Why can’t we have Celtic Frost back?

84:00 It’s the final QUEST-ion! Doodle-doo-doo… A few other surprises coming in 2014.

88:20 Anime: A History, and the trouble you might have getting one signed. Andrew thinks you should all see Nebraska. And Jerome confesses his love for Perfect Blue. And Saint Seiya: Brave Soldiers.

91:00 And with that, we’re out. Bye for this year.

The Podcast is available to download now HERE, or find it and an archive of previous shows at our iTunes page. For a detailed contents listing of previous podcasts, check out our Podcasts page.

Carry on Cossacks

LakeKaban-thumb-300xauto-38328One of the pleasures of long-haul flights is getting to mainline a bunch of movies that you wouldn’t otherwise stand a whelk’s chance of watching. Which is how, somewhere two miles above Novosibirsk, I found myself watching The Treasure of Lake Kaban, a completely bonkers movie set in Tatarstan.

The poster says it all, from the Lara Croft rip-off and the aspirant Bond, all the way to the irritating little dog. Ivan the Terrible scowls at the left – it is he, in flashback, who attacks Tatarstan’s capital, Kazan, causing the beautiful princess Soyembika to bury her greatest treasure in a secret location. Meanwhile, over on the right is an “American” carpet-bagger called, wait for it, Diana Jones.

The tagline shrugs: “Nyet vremeni obyasnyat” (There’s no time to explain). And apparently there isn’t, as a frustrated army doctor-turned-archaeologist, a nutjob who thinks he’s an alien, and a Russian navy conscript trying to find enough cash to buy out his commission, all converge on the small republic, where local colour amounts to a whole bunch of relics of Russian’s Mongol marchland – dances, cossacks, daggers, and most memorably in the gene pool, if the smouldering Elvira Ibragimova (that’s her in the shorts) is anything to go by.

The script, by Georgiy Kirvalidze and Dimitriy Terekhov, is based on ideas by three others – although there is such antic chaos in the movie that one might be forgiven that three completely different films were being made at once. There are allusions to many tourist sites in Kazan, and local legends such as the Zilat, the region’s own variant of the Loch Ness monster.

Played straight, there would have been plenty of majesty and scenery here to out-Dan Brown Dan Brown. But The Treasure of Lake Kaban plumps for madcap “comedy”, all pratfalls and kicks in the goolies, as wannabe rock star Kiril (Alex Sparrow, who is apparently something big in Russian X Factor) gurns and mugs his way around a series of monuments and sewers, trying and largely failing not to stare down the cavernous cleavages of his co-stars and nemesis. The result plays as if the Chuckle Brothers have been put in charge of the Da Vinci Code, with all that that implies.

Jonathan Clements is the author of An Armchair Traveller’s History of the Silk Road, which doesn’t have any monsters in it, but does have more belly dancing.

New Secrets of the Terracotta Warriors

1382061_676525859025041_80750332_nFor readers in the UK, I shall be on Channel Four on Sunday 8th December at 8pm, as a talking head on New Secrets of the Terracotta Warriors. Lots of metallurgy fun, and possibly even the entertaining sight of me interviewing the man who discovered them — I don’t know, I haven’t seen it yet myself.

We had been hoping to get a reprint of my First Emperor of China book out in time for it, but that won’t be until 2014. But you can apparently pick up the original edition for a penny behind the link, so knock yourselves out. Photo courtesy of Two Chiefs.

A Very Clements Christmas

You should definitely buy books as Christmas presents. In an age of Kindle binges, actual paper books are becoming unique luxuries.Which books, you say? Well, these, for starters:

41bkTuP9TdL._SY445_Anime: A History — Out on the 6th so just in time for Christmas (in the UK… I doubt it will reach American readers in time), the British Film Institute’s landmark history of a century of animation in Japan, from the first appearances of foreign cartoons in Tokyo cinemas, through early innovators, wartime propaganda and the rise of TV “anime”, the video boom, the wave of foreign interest and Miyazaki’s Oscar, all the way to the shut-down of the analogue broadcast signal in 2012.

51fwNBEb6RL._SY445_Modern China: All That Matters — China as the Chinese see it, a history of the People’s Republic since 1949 with special emphasis on the most crucial points and issues of the Mao years, the Deng years, the Hong Kong Handover, territorial and cultural issues, right up to the inauguration of Xi Jinping.

Art of War, The 7The Art of War — for the truly dangerous sister-in-law, the mad granny or the eccentric uncle who spends the whole dinner using peanuts in an attempt to explain how the Battle of Talas went, Sun Tzu’s original classic of military advice, newly translated in a no-nonsense, waffle-free edition.

Mannerheim — Now available in paperback, the unbelievable tale of the “last knight”, the Tsarist cavalry officer who fought against the Japanese in Manchuria, spent two years pretending to be a Swedish anthropologist while spying on the Chinese, and ended his career accidentally becoming the president of Finland. Battles, derring-do and malicious puppet shows.

Schoolgirl Milky Crisis — for the anime fan who thinks he or she knows it all, a broad sweep of the anime, manga and Asian media worlds, including libellous accusations, misguided confessions, and things a whole bunch of people never wish they’d said within earshot. Why do anime studios hang onto a glove full of rancid custard? Is it possible to write a subtitle script without using the letter “Y”? These questions and more, in the book that this blog is the blog of. Oh yes.

Other books are available: about samurai, vikings, the life of a great scientist, emperors and empresses, and even touchy feely poems that don’t rhyme.